$50 Gets Your Package Globally – For Free
Jack Benny & Golden Age of American Radio Comedy - Vintage Comedy History, Classic Radio Shows - Perfect for Entertainment Enthusiasts & Nostalgia Lovers
Jack Benny & Golden Age of American Radio Comedy - Vintage Comedy History, Classic Radio Shows - Perfect for Entertainment Enthusiasts & Nostalgia Lovers

Jack Benny & Golden Age of American Radio Comedy - Vintage Comedy History, Classic Radio Shows - Perfect for Entertainment Enthusiasts & Nostalgia Lovers

$24.89 $33.19 -25% OFF

Free shipping on all orders over $50

7-15 days international

26 people viewing this product right now!

30-day free returns

Secure checkout

35464702

Guranteed safe checkout
amex
paypal
discover
mastercard
visa
apple pay

Description

The king of radio comedy from the Great Depression through the early 1950s, Jack Benny was one of the most influential entertainers in twentieth-century America. A master of comic timing and an innovative producer, Benny, with his radio writers, developed a weekly situation comedy to meet radio’s endless need for new material, at the same time integrating advertising into the show’s humor. Through the character of the vain, cheap everyman, Benny created a fall guy, whose frustrated struggles with his employees addressed midcentury America’s concerns with race, gender, commercialism, and sexual identity. Kathryn H. Fuller-Seeley contextualizes her analysis of Jack Benny and his entourage with thoughtful insight into the intersections of competing entertainment industries and provides plenty of evidence that transmedia stardom, branded entertainment, and virality are not new phenomena but current iterations of key aspects in American commercial cultural history.

Reviews

******
- Verified Buyer
Those of us who are devoted to the Jack Benny radio programs finally have the book we deserve. "Jack Benny and the Golden Age of American Radio Comedy" stands alone as a no-nonsense, no nostalgia overview of Jack's radio oeuvre. It manages to straddle the divide between too little and too much information, offering modest interpretation, and mostly letting the reader make his or her own inferences.The writing is mature, the sentences are intelligent, and the writer reserves her first person involvement for the final paragraphs of, where it is most welcome. Even the chapters on race and gender (which I was dreading) are well-done, combining facts about the Benny show and its reception with relevant social history vignettes.Ms. Fuller-Seeley is not a gushing fan. She estimates Benny and his work at what seems to me to be the correct level of cultural importance.The background she provides on the early Canada Dry and General Tire programs (1932-34) motivated me to re-visit the scratchy and sometimes inaudible recordings of those shows. It was well worth the effort - many of the gags are great, and Frank Parker was probably Benny's best - though far from funniest - tenor.